Twisted Emotionally Disturbed Work and Play
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Clarence Anicholas Clemons Jr. From until his death, he was a member of Bruce Springsteen 's E Street Band , playing the saxophone. He released several solo albums and in , had a hit single with " You're a Friend of Mine ," a duet with Jackson Browne. Three years following his death, Clemons was posthumously inducted into the Rock and Roll Hall of Fame , along with the other members of the E Street Band. His grandfather was a Southern Baptist preacher and, as a result, the young Clemons grew up in a very religious environment listening to gospel music. When he was nine, his father gave him an alto saxophone as a Christmas present and paid for music lessons.
Clemons later switched to baritone saxophone and played in a high school jazz band. His uncle also influenced his early musical development when he bought him his first King Curtis album. Curtis, and his work with the Coasters in particular, would become a major influence on Clemons and led to him switching to tenor saxophone. As a youth Clemons also showed potential as a football player, and graduated from Crestwood High School now Crestwood Middle before attending Maryland State College  on both music and football scholarships.
He played as a lineman on the same team as Art Shell and Emerson Boozer and attracted the attention of the Cleveland Browns , who offered him a trial. Clemons also tried out for the Dallas Cowboys. While still playing with this band he moved to Somerset, New Jersey , where he worked as a counselor for emotionally disturbed children at the Jamesburg Training School for Boys between and They allegedly met for the first time in September In , Clemons had recorded an eponymous album with this band.
One night we were playing in Asbury Park. On-stage, Bruce used to tell different versions of this story but I'm a Baptist , remember, so this is the truth. A rainy, windy night it was, and when I opened the door the whole thing flew off its hinges and blew away down the street. The band were on-stage, but staring at me framed in the doorway. And maybe that did make Bruce a little nervous because I just said, "I want to play with your band," and he said, "Sure, you do anything you want.
Bruce and I looked at each other and didn't say anything, we just knew. We knew we were the missing links in each other's lives. He was what I'd been searching for. In one way he was just a scrawny little kid. But he was a visionary. He wanted to follow his dream. So from then on I was part of history.
Well before this meeting, however, Clemons and Springsteen had moved within the same circle of musical acquaintances. Norman Seldin had managed and promoted several local bands, including The Motifs  who featured Vinnie Roslin , later to play with Springsteen in Steel Mill. Springsteen was among the entrants playing with his then band, The Castiles. When Springsteen then decided to use a tenor saxophone on the songs " Blinded by the Light " and " Spirit in the Night ," he called Clemons.
Four days later Clemons made his debut with the formative E Street Band at an unadvertised, impromptu performance at The Shipbottom Lounge. Clemons' final recordings with Springsteen and the E Street Band were featured on Springsteen's album, Wrecking Ball , and previously unreleased material featuring Clemons also appeared on the release High Hopes. Clemons' widow accepted on his behalf.
Outside of his work with the E Street Band, Clemons recorded with many other artists and had a number of musical projects on his own. The best known of these are his vocal duet with Jackson Browne on the Top hit single " You're a Friend of Mine ", and his saxophone work on Aretha Franklin 's Top hit single " Freeway of Love ". At this time he also recorded an instrumental record with Alan Niven producing, Peacemaker. He also recorded with philanthropic teen band Creation.
This glyph resembles an upside-down "Y" and was created by Brooker after much experimentation; it is the one used in the final episode. This draft had the character Baxter in it and resembled the horror film The Wicker Man. Executive producer Annabel Jones noted that the theme had shifted more towards voyeurism.
By this point, director Carl Tibbetts was involved with the project. After working on the other series two episodes " Be Right Back " and " The Waldo Moment ", the latter of which was in production, there was little of the budget remaining for "White Bear". The base contained an abandoned housing estate and buildings that could be repurposed to look like shops and garages.
The base was surrounded by chicken wire and Brooker considered that the fence could be there because the events of the episode were not real. Brooker believed that the public would watch certain people be tortured for entertainment, such as Jimmy Savile—against whom hundreds of sexual abuse allegations have been made—or Myra Hindley—a serial killer who committed the Moors murders with her husband. Brooker then rewrote the script in two days "in a bit of a fever dream".
1. Black-and-White Thinking
Brooker considered making Victoria innocent, but settled on making her unknowingly guilty. Lenora Crichlow had already been cast as Victoria prior to the rewrite. Prior to the twist, the episode is shown from Victoria's perspective. According to Tibbetts, handheld cameras were used to make the episode "very intense and personal" and to make the viewer identify with Victoria.
Contrastingly, in the end credits scenes filming is "still and static" to resemble an observer's perspective. Flashback scenes were balanced to avoid giving away too much information before the twist. The scene in which Victoria is driven through the crowd was cut shorter in the final edit and many of the crowd members were added digitally. Brooker had the idea during editing of displaying Victoria's next day at the park during the credits. The episode is 42 minutes long, slightly shorter than Channel 4's standard of 45—48 minutes for an hour-long episode.
The episode's soundtrack was composed by Jon Opstad. The score is mostly electronic. To give a different character to the music played as Victoria lives her next day in the theme park, Opstad added acoustic elements, but feeling that this did not fit with the universe he used pizzicato cello music and overlaid "spidery" atonal lines.
Brooker had other ideas that were removed from the original script because they would be complicated to do. He said he could use these ideas in a sequel story which would involve the main character finding messages that she had left for herself on previous days as the process of erasing her mind starts not to function. However, as the location for the episode no longer exists, he felt it would be more practical to create a graphic novel instead of recreating the scenario. Many reviewers identified an allusion to the Moors murders , committed by Ian Brady and Myra Hindley, a British couple who killed children in the s.
Club 's David Sims emphasised the similarities between Victoria's taping and the fact that Hindley taped the torture of one of their victims.
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The influence of horror works was highlighted by critics and Brooker himself. Lambie found aspects of the forest scene reminiscent of s exploitation films. The Twilight Zone has been seen as an influence by some reviewers. Jeffery commented that Black Mirror ' s "roots in" the American anthology series "have never been more visible",  while Sims affirmed "White Bear" is "the most Twilight Zone -y episode of the show",  and James Hibberd of Entertainment Weekly said it could even have been an episode of that series.
Despite the similarities to real murder cases, David Sims noted the focus is not any single case, arguing that when an "abhorrent crime" occurs people create "totem[s] of hatred and evil" from the figures involved in the crime. He said Brooker examines what he calls the "lurid media frenzy" trend. Liptak said it portrays people as victims of technology,  while Joyner commented it denotes that "the way in which we are spoon-fed an almost constant stream of information through technology has turned us into passive consumers".
She noted, "you can view the episode as a critique of all kinds of themes: Mob mentality, reality television, even the complicated treatment of women in the justice system Primarily, though, this episode is a critique of our deep, often-unexamined mass desensitisation , or at least a dread portent of its potential to grow.
It aims to ask: To what extent can you stand by and watch horror before you are complicit, punishable? Brooker commented that after watching the episode, the viewer feels "sympathetic towards [Victoria] but also repulsed by what [she] did". Tibbetts opined that the episode is "about not torturing people" and Victoria's guilt is irrelevant to whether one should take pleasure from her torture. Does our societal bloodlust for vengeance make us just as dangerous as the criminals we seek to discipline?
Jones interpreted that Victoria is "incredibly remorseful" once she learns who she is, saying that Victoria's knowledge of what she did to the young girl is "obviously destroying her". In contrast, Brooker believes Victoria to only be feeling "confusion and animal fear" as her life is like "a nightmare in which society tells you're a child killer".
Joyner stated the episode uses "the idea of having what the viewers are led to believe as reality exposed as a sham". He also affirmed it questions "our own fundamental need to be the hero or heroine of our own story". According to the Broadcasters' Audience Research Board , the episode was viewed by an estimated 1. With this type of cognitive distortion, things are exaggerated or blown out of proportion, though not quite to the extent of catastrophizing. The same person who experiences the magnifying distortion may minimize positive events.
These distortions sometimes occur in conjunction with each other. This type of thinker may assume the role of psychic and may think he or she knows what someone else thinks or feels. The person may think he or she knows what another person thinks despite no external confirmation that his or her assumption is true.
A fortune-telling-type thinker tends to predict the future, and usually foresees a negative outcome. Such a thinker arbitrarily predicts that things will turn out poorly. When overgeneralizing, a person may come to a conclusion based on one or two single events, despite the fact reality is too complex to make such generalizations. This extreme form of all-or-nothing thinking occurs when a person discounts positive information about a performance, event, or experience and sees only negative aspects.
A person engaging in this type of distortion might disregard any compliments or positive reinforcement he or she receives. Thought patterns can be changed through a process referred to in cognitive therapy as cognitive restructuring.
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The idea behind it is that by adjusting our automatic thoughts, we are able to influence our emotions and behaviors. This cognitive distortion, similar to discounting the positive, occurs when a person filters out information, negative or positive. For example, a person may look at his or her feedback on an assignment in school or at work and exclude positive notes to focus on one critical comment. This distortion, a more severe type of overgeneralization, occurs when a person labels someone or something based on one experience or event.
Instead of believing that he or she made a mistake, people engaging in this type of thinking might automatically label themselves as failures. This is the opposite of personalization.
See a Problem?
Instead of seeing everything as your fault, all blame is put on someone or something else. If this type of thinker feels scared, there must be real danger. If this type of thinker feels stupid, then to him or her this must be true. This type of thinking can be severe and may manifest as obsessive compulsion.
Clarence Clemons - Wikipedia
For example, a person may feel dirty even though he or she has showered twice within the past hour. This thinking pattern causes a person to internalize his or her opinions as facts and fails to consider the feelings of the other person in a debate or discussion. This cognitive distortion can make it difficult to form and sustain healthy relationships. A person experiencing self-serving bias may attribute all positive events to his or her personal character while seeing any negative events as outside of his or her control.
This pattern of thinking may cause a person to refuse to admit mistakes or flaws and to live in a distorted reality where he or she can do no wrong. In this pattern of thinking, a person may expect divine rewards for his or her sacrifices. People experiencing this distortion tend to put their interests and feelings aside in hopes that they will be rewarded for their selflessness later, but they may become bitter and angry if the reward is never presented. This distortion assumes that other people must change their behavior in order for us to be happy.
A person who sees things as externally controlled might blame his or her boss for poor work performance. For many, one or more of these cognitive distortions will look familiar. You may fall into one or more of these traps or know someone who does. This is the basis of several popular forms of therapy, including cognitive behavioral therapy CBT and rational emotive behavioral therapy REBT.
If you feel that one or more of the above cognitive distortions is contributing to feelings of anxiety, depression, or other mental health issues, we encourage you to consider finding a qualified therapist you trust to work with you and help transform your negative thoughts and beliefs into empowering affirmations that inspire and uplift you.
All rights reserved. Permission to publish granted by A good therapist, therapist in Olympia, Washington. The preceding article was solely written by the author named above. Any views and opinions expressed are not necessarily shared by GoodTherapy. Questions or concerns about the preceding article can be directed to the author or posted as a comment below. Please fill out all required fields to submit your message. While that can be a good thing at times, it can also hold us back if we are not willing to look clearly and really see things for what they really are.
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Hate to admit it but I am that black or white thinker. Shame on You for judgment. This has absolutely nothing to do with judgement, but extensive research which supports evidenced-based treatment.
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Rarely are all our thoughts accurate; we see them through our own prisms. CBT is still the golden standard towards treating depression, anxiety, and numerous other disorders. I am a fortune teller thinker and I always wish I am wrong but I am usually right.
So now what? Maybe I should just buy a pair of rose colored glasses. My aunt is a therapist and so was my college room mate.